William J. Glackens´s (1870-1938) keen interest in the work of Pierre-Auguste Renoir (1841-1919) has long been recognized, but Glackens´s specific debt to the art of this important French modernist has not been fully explored. In bringing together more than 30 works by each of these two important modernists for the first time, William Glackens and Pierre-Auguste Renoir: Affinities and Distinctions fills this void. It demonstrates Glackens´s response to Renoir´s Impressionist work (1860-mid-1880s), which was avidly purchased by a wide variety of American collectors, including Albert C. Barnes, who sent Glackens, his friend and colleague, to Paris in 1912 to purchase works for his then fledgling collection. Glackens was the only American artist who subsequently had nearly carte blanche access to Barnes´ increasingly important collection of American and European modern art that included work by Paul Cézanne, Henri Matisse, and Pablo Picasso, among others, and numerous examples of Renoir´s late-style (1890-1919). The exhibition defines Glackens´s late style (c.1925-1938) for the first time, its affinities and distinctions from Renoir´s work, and how it emerges from Glackens´s familiarity with works specific exhibitions in New York, and the art he saw in Italy in 1926, and in Barnes´ collection, while shedding new light on the history of taste in American collecting from the late-nineteenth to the mid-twentieth century.
New York Realists, 1900-1914:Robert Henri, George Luks, John Sloan, William Glackens, Ernest Lawson, George Bellows, Everett Shinn, Glenn O. Coleman and Guy Pene Dubois (Classic Reprint) Whitney Museum Of American Art
The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world´s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin.The Foundation´s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork.The presentation of the collection reflects Barnes´s educational and aesthetic approach: symmetrical ´´ensembles,´´ or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study.Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation´s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles. ´´